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Kamis, 22 September 2016

Free Ebook By David Saltzman The Jester Has Lost His Jingle (1st Edition)From Jester Co Inc

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  • Sales Rank: #2905143 in Books
  • Published on: 1995-10-16
  • Binding: Hardcover

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Jumat, 16 September 2016

Download PDF Common Core Language Arts 4 Today, Grade 4: Daily Skill Practice (Common Core 4 Today)

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Common Core Language Arts 4 Today, Grade 4: Daily Skill Practice (Common Core 4 Today)

Product details

Series: Common Core 4 Today

Paperback: 96 pages

Publisher: Carson-Dellosa Publishing; Workbook edition (May 1, 2013)

Language: English

ISBN-10: 1624426077

ISBN-13: 978-1624426070

Product Dimensions:

8.4 x 0.2 x 10.9 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

87 customer reviews

Amazon Best Sellers Rank:

#71,836 in Books (See Top 100 in Books)

Bought to help child that was getting behind in reading skills and she has made good progress using these lessons. She said some of the pages are ones she had at school and I like that as this means we are reinforcing skills that she is getting in classroom. She brought her grade up from a C to a B and we are now going for an A. I am not a fan of Common Core, however, that is what is being taught and the Language Arts book is helping her reading skills. I feel it is a good practice book and glad that I bought it.

Good for everyday practice. My daughter struggles with writing assignments so I bought this book. There are assignments on narratives but mostly on personal experiences, which is great in our case as that is the key area of development. But I would love to see some 'summarization' or 'write your opinion' kind of assignments as well. Or at least more of them if I missed out on noticing them. Secondly, the book has similar pattern of assignments so the kids can get used to it rather on figuring it out every time they get back to it. The smaller text with question/answer are rich in both vocabulary and information. There are exercises on grammar, punctuation, but not many on synonyms/antonyms. If I could see an example of the assignments or strategies to attempt the writings that would be very helpful. All in all, it has proved to be a good practice book for my daughter and I am planning to buy for the next grade as well.

I have used the "...4Today" series for years as homework,practice,review, and assessment. The Math4Today is especially good. This particular product uses the same stories and activities as the previous publications. It looks like what they have done is to combine many of the previous Write4Today and Read4Today activities in this one book and changed the title to "Common Core Languge Arts 4 Today." There is not that much new in this current publication. So, if you have the older versions of Read4Today and Write4today, you really don't need this "new" product. That said, this is a very good supplemental/practice book. I have found them all to be very useful for homework, review, and mini assessments.

I am a 4th/5th Grade teacher, and I love these workbooks. We use them in school for morning/bell work, homework, and reinforcement of concepts. The way the stories are broken down into passages is especially helpful to students who struggle with reading comprehension throughout long passages, and I see a marked improvement in my students after they work consistently with this workbook.

Would not recommend to homeschool users. Difficult to work with through no fault of the publisher but there are many better alternatives. My recommendation is dump common core altogether until the later grades (middle school and up at the earliest).

My tutoring service uses these as a homework assignment. We use the assesment page as a warm up and evaluation and we use the daily activities for daily homework. Takes students about 3 to 5 minutes to complete a daily task dpending on their ability to understand the question. Parents rarely need to help.

The quizzes for each week do not align with the practice students would be doing leading up to that assessment. Very disappointed by that.

I like the layout of these books. They are broken down to an entire 4 day week on one page. 4 short passages with 4 questions and a 1 page assessment test for the 5th day. I hope these are the types of questions on the new standardized test as the current FCAT test is worded in odd ways which is difficult for children whose brains are not developed yet, to understand. It will be good as extra work after school as it's short and to the point.

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Rabu, 14 September 2016

Ebook Love and Hydrogen: New and Selected StoriesBy Jim Shepard

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Love and Hydrogen: New and Selected StoriesBy Jim Shepard


Love and Hydrogen: New and Selected StoriesBy Jim Shepard


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Love and Hydrogen: New and Selected StoriesBy Jim Shepard

I’ve been a problem baby, a lousy son, a distant brother, an off-putting neighbor, a piss-poor student, a worrisome seatmate, an unreliable employee, a bewildering lover, a frustrating confidante and a crappy husband. Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way.

This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.

A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure.

Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.

  • Sales Rank: #876874 in Books
  • Brand: Brand: Vintage
  • Model: 961133
  • Published on: 2004-01-27
  • Released on: 2004-01-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .73" w x 5.20" l, .56 pounds
  • Binding: Paperback
  • 340 pages
Features
  • Used Book in Good Condition

From Booklist
Although Shepard's mordantly funny, unsettling, yet immensely gratifying short stories race off in unforeseeable directions, they always veer into the crimson glare of trauma or death. As the ludicrous collides with the profound, the two axes of the human condition, the reader experiences a weird elation because Shepard, shrewdly deadpan and witty, gets it exactly right as he riffs on historical events and raids the junkyard of pop culture. In the extraordinarily imaginative title story, for instance, he vividly re-creates the flight of the doomed Hindenburg airship, on which two male crew members conduct a taboo affair. Elsewhere, Shepard enters the minds of The Who's John Entwhistle, the creature of the Black Lagoon, and John Ashcroft. Daringly inventive, as skillful as a top surgeon, and as clever, quirky, and right-on as David Byrne and Warren Zevon, to jump art forms, Shepard is breathtaking. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
"This is one of the most important collections in years, because Shepard does so many things that are all too rare in the medium. He gives us red-blooded characters who leave the living room and fly, kayak, dive, search, and emerge from swamps to devour unwitting campers. Stories about dissolving marriages are fine, but how about two gay engineers on the Hindenberg? Or a 19th century man searching for a giant half-shark/half-whale? These are uniformly bold and exhilarating stories. Let's hope Shepard becomes as influential as he should be. He's the best we've got."
--Dave Eggers

"In a first-rate gathering of 22 stories, bizarre premises drawn from history and popular culture share space with moving examinations of deranged family dynamics . . . Adventurous and enthralling work from one of the most interesting of all contemporary American writers."
--Kirkus, starred review

"These are some of my favorite short stories of the past decade. Reading them is like encountering our national literature in microcosm: multiform and polyrhythmic, violent and fanciful, erudite and hard-boiled, built on twin foundations of nostalgia for the never-was, and of that millennial American optimism that is indistinguishable from despair."
--Michael Chabon


“Jim Shepard’s access to different voices, social types, levels of experience, is truly astonishing. He has observed deeply, and his selection of detail from that observation is brilliant. This is the work of a deft, audacious artist.” --Norman Rush

“Shepard’s writing is lean, assured, never canned; it is sometimes cinematic and often astringently funny. He reconstructs the ordinary and offers the surreal as a given, [finding] highly original ways into the most moving stories.” --Amy Hempel

From the Inside Flap
"I've been a problem baby, a lousy son, a distant brother, an off-putting neighbor, a piss-poor student, a worrisome seatmate, an unreliable employee, a bewildering lover, a frustrating confidante and a crappy husband. Among the things I do pretty well at this point I'd have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen--familiar to readers from publications ranging from "McSweeney's to "The "New Yorker to "Harper's to "Tin House--encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard's voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, "a passionate writer with a razor-sharp wit and an elephantine heart"--in short, one of the most powerful talents at work today.

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Love and Hydrogen: New and Selected StoriesBy Jim Shepard PDF

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Minggu, 11 September 2016

Ebook Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy

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Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy

Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy


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Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy

Product details

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margin: 0.5em 0px 0em 25px !important;

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Audible Audiobook

Listening Length: 22 hours and 46 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: June 20, 2017

Language: English, English

ASIN: B0721QRZLV

Amazon Best Sellers Rank:

2016 may just prove to be the year of upsetting literature, at least for me. Having recently read "The Underground Railroad", which was a beautiful but profoundly upsetting work of fiction, and after reading a couple of other books, I turned my attention to "Blood in the Water", which proves that not only can truth be stranger than fiction, but also can be more upsetting than fiction.As reported by other reviewers (including those in various newspapers), "Blood in the Water" is a masterful work of recent history. Ms. Thompson reports the events leading up to the Attica prison riot of 1971, the riot and its conclusion, and -- in the longest part of the book -- the aftermath, focusing on the attempts of the various parties involved to obtain justice.The first part of the book -- i.e., from before to immediately after the riot -- is one the most riveting non-fiction accounts of any event that I can think of. It is literally a page-turner that kept me up way past my bedtime, even though (of course) I knew the outcome. The second part of the book -- the various parties' attempts to obtain justice -- was slower going (and in one case somewhat off-putting), but nonetheless compelling, particularly as Ms. Thompson brought the book to a conclusion by relating the incredibly frustrating attempts of the hostages and prison guards who were killed or injured to obtain justice from the State of New York -- the same State of New York that arguably caused (or at a minimum contributed to) the riot in the first place.Ms. Thompson's grasp and organization of the facts is more than impressive, as is the passion with which she writes. As some reviewers and critics have noted, she has a bias; she is strongly supportive of the prisoners who rioted to protest inhuman conditions at Attica in the late 1960s and early 1970s (as well as today). However, for the most part, I do not feel that she let her bias get in the way of the facts or of history. The one exception is in the portion of the book dealing with the prisoners' attempts to get damages from New York; her treatment of the prisoners lacks credibility, in that they come across as being all good and innocent. I will concede that in the context of the riot's brutal conclusion, they may have been blameless, but at least some of the individuals had serious criminal records, which she avoids discussing. Moreover, in this portion of the book it appears that they can do no wrong; they are handsome and good and women fall in love with them.Though I was frustrated with this portion of the book, Ms. Thompson remains passionate towards all of the people who sought and were systematically denied relief from the State, particularly the hostages and guards and their families and survivors. The discussion of these groups, which constitutes the latter part of the book, reflects the same "fire in her belly" that embodies the preceding 400 or so pages.She also remains passionate -- and convincing -- that the real villain of the story is the State of New York, which allowed (or encouraged) the use of unnecessary violence in putting down the riot and, even worse, which denied relief to everyone damaged by it and did its best to act in a deceptive and cowardly manner throughout most of the 40 years since it took place.In other words, while I think Ms. Thompson's passion may have gotten the better of her in that one section of the book, she seeks justice for all involved and does so comprehensively and passionately. This is a book that will remain in my memory -- and my conscience -- for a long time.

Just finished Heather Ann Thompson's Blood in the Water. It is absolutely essential to understanding the history of prisons in the US, and mass incarceration more generally. Professor Thompson spent a decade fighting for access to the long hidden records, and painstakingly reviewing the evidence to find out what really happened. Her investment in time, blood, sweat and tears has paid off for the reader!45 years ago, prisoners took over an exercise yard at Attica prison, after months of having their complaints about insufficient food, lack of medical care, guard brutality ignored. As negotiations with the prisoners were beginning to bear fruit (the state agreed that virtually all,of their complaints were legitimate), Rockefeller decided to slaughter the prisoners, to ensure he was viewed as "tough on crime" and to further his national political ambitions. The casual racism behind this decision was explicitly approved by Nixon sitting in the Oval Office (as we know because of his now famous taping system).Over the following decades, New York State did whatever it could to obscure what happened and shift blame from itself to the prisoners. Before a single body was examined, the state announced that prisoners had eviscerated guards, and castrated at least one of them, cutting off his genitiles and stuffing them in his mouth. Nothing of the sort occurred. All of the guards killed in the end were slaughtered by law enforcement; none by prisoners.After reviewing all of the events of the days during the uprising and the slaughter in the days after, Thompson turns to the cover up...which reached all the way to Governor (and then Vice President) Rockefeller. She then turns to the tireless efforts of the men at Attica to gain legal redress for the harm done to them, and then to the surviving guards' battle for an apology and compensation.At the end is a wonderful Epilogue, discussing the impact not so much of the uprising itself on the course of history, but the even bigger impact of the false narrative and cover up which followed the mass slaughter by the state in the aftermath.The book was so fascinating, that I kept going all the way through the acknowledgments. A pretty comprehensive list, including illustrious scholars like Michele Alexander and Toussaint Losier; and my great friend, Shaena Fazal. Buried in the middle, was mention of Alan Mills. If this is me, I do not belong in this esteemed crowd, and had nothing to do with the book..but am so honored to be included. Wow.Anyway, read the book! Attica; Fight Back.

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